Leonardo DaVinci's 'Mona Lisa' and 'Vitruvian Man'
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A 4 page paper that discusses the artistic principles DaVinci developed and applied to his paintings generally, in comparison with other artists of the period, and the application of these techniques to each of these two paintings. The paper discusses these in light of the Renaissance ideas of science and humanity and posits that perhaps the 'imperfections' in his paintings exhibit a larger experiment in these two areas of thought. Bibliography lists 7 sources.
Filename: Davinci2.doc

Breton, Dali, & Dada / Surrealism
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A 7 page essay on the roots of Dada and Surrealism, with a discussion of the political and personal influences characteristic of these art forms—their beginning and their end. Artists work reviewed include Salvadore Dali, Rene Magritte, and Sherwood Anderson, among others. Bibliography cites 9 sources.
Filename: Surealda.wps

Salvador Dali / A Look At Two Of His Works
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This 3 page report examines two of the painter's most renown works, The Persistence of Memory and Sacrament of the Last Supper. They are not done in the same style, yet share many similarities. A brief synopsis of Dali's life as an artist serves as an introduction. No Bibliography.
Filename: Dali2.wps

Salvadore Dali
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5 page biography and discussion of the 20th century Spanish surrealist painter, Salvadore Dali. Bibliography lists 5 sources.
Filename: Dali.wps

Salvadore Dali / Life & Works
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10 pages exploring the life of Dali concentrating on how aspects of his life influenced his painting. Examples of his early, Surrealist, and Classical periods are given with analysis. Bibliography that lists 6 sources.
Filename: Saldal.wps

The Use Of Non-Naturalistic Coadjutors In The Work Of Salvadore Dali
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An 8 page essay on the use of non-naturalistic ‘‘coads,'' or images, in representatives works from the different periods of Dali's career. Bibliography lists 6 sources.
Filename: Coads.wps

Picasso: Cubism and Expressionism
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A 5 page paper which discusses the influence of Picasso in relationship to the contemporary art world, in relationship to his use of Impressionism and Cubism. For the most part, his use of Impressionism was nothing more than a stepping stone to his later innovative Cubist designs, and as such the primary focus of the paper is on the evolution of Cubism, and the influence his art has had upon the art world. Bibliography lists 8 sources.
Filename: RApicasso.rtf